January 2015

On the other hand, I was fully prepared to dislike Finding Vivian Maier because the thought of someone unearthing an artist’s work after the artist’s death and apparently profiting from it is inherently repulsive. But the film is absolutely fascinating, very well done, and shows a real commitment on the part of John Maloof, who bought several boxes of her negatives at an auction a few years ago, to both popularize her work and investigate her life story. I’ve always been a fan of street photographers like Robert Frank, Lee Friedlander, Gary Winogrand, etc., and Vivian Maier‘s work is at least at their level. She was a genuine genius with an extraordinary eye. She was also a deeply strange and troubled person, a paranoid hoarder with a definite “dark side.” Anyway, it’s a great film. Unfortunately Vivian Maier’s work may soon be withdrawn from public view due to a legal wrangle, which would be very sad.

I just noticed that Netflix is now pushing The Interview at me. I’m gonna pass and stick to P.G. Wodehouse. Meanwhile, please consider subscribing or otherwise contributing to life here at Churchmouse Abbey, for we are as skint as our namesake.

And now, on with the show…

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